An
official from the Ministry of Foreign Affairs, ‘who did not want to be
mentioned’, further ‘disclosed’ that no fewer than 42 heads of state and
government were expected, although he refused to name them, and this to a
reporter from the government’s own News Agency of Nigeria. No doubt all will be
revealed in due course. One only wonders why the secrecy. Either they are
coming or they are not; if so, who and who, exactly? But this is Nigeria. After
all, the event these world leaders have come to celebrate is itself a state
secret given that nobody appears to have seen the relevant document which
amalgamated us and which, according to rumour, may contain a hundred-year time
limit. In other words, the assembled may have come to celebrate a fiction,
which is perhaps what Nigeria is anyway.
The
celebrations themselves will honour 100 people judged to have distinguished
themselves in the evolution of this fantasy. The two most perplexing categories
are ‘contributors to the making of Nigeria’ and ‘outstanding promoters of
unity, patriotism and national development’. The first contains just three
people: the man responsible for the amalgamation, his then girlfriend who named
the country and the current Queen of England (who, being the only one of the
triumvirate still alive, nevertheless declined to attend). The second contains nine names, among
them Abacha, Babangida and Obasanjo. Between these two poles, we are effectively
being told that Nigeria should forever be seen as the creation of other
people’s desires, and that its continued existence is posited on plunder.
Looked at this way, it makes perfect sense that the ill-gotten loot of the
latter should end up in the coffers of the former, which is what the
amalgamation was designed for in the first place. Long live the Queen!
Not
surprisingly, the more deserving – or their descendants in the case of the
deceased, who make up almost half of the great and the good - quickly distanced
themselves from the government’s cynical attempt to co-opt them. The
Fawehinmi family pointed out that it was Babangida ‘who as military president, severally
detained and tortured our father’. Femi Kuti, whose family was more than well
represented, demanded that the Federal Government ‘apologise for the killing of
our grandmother and the burning of Kalakuta’ by the first Obasanjo
administration. And Soyinka, who was able to speak for himself only because he
miraculously survived Abacha’s death squads (even fleeing from the country
through the bush), ‘would have preferred that the entire day of infamy be
ignored altogether’. Those other families with pretensions to probity – or, simply,
self-respect – must stand where they may. This includes the Maja family.
The
scale of the cynicism attendant upon this jamboree is borne out by the usual
genuflection towards federal character, meaning that the Big Three invariably dominate,
and underscored by the paucity of information on the centenary exhibition’s official
website, which doesn’t even list the awardees. This might seem like a
trivial point but consider the following:
Nigeria has distinguished herself over the centuries in the field of
arts.
Nigerian culture is as multi-ethnic as the
people in Nigeria. From a rich culture of ivory carving, grass weaving, wood
carving, leather and calabash. Pottery, painting, cloth weaving and glass and
metal works, we have written our industry and enterprise in a way that can only be Nigerian.’
This is the introduction to the ‘About Nigeria’
section, which is otherwise taken up with press statements from various bigwigs
with their snouts in the trough - the chairman of the centenary exhibition, the
secretary to the federal government, the project director – along with the
‘implementation plan’ with which to fitter away the money at their disposal, which
also happens to be by far the most detailed section: visits to the UK and the
US ‘to meet Nigerians in Diaspora’, a press conference at the Abuja Hilton ‘to inform/sensitize/mobilize
the public’, and – with absolutely no sense of irony or shame but that is the
way with such people - the ‘design and hosting of the website’. I contacted this
same website but am yet to receive the promised early reply from the
hard-working team.
As far as I can tell, the last update was 23 January.
The
point in all of this is our fundamental lack of seriousness in everything we do,
even as we invite world leaders to come and celebrate a non-event, which is why
those not looking for handouts or contracts sent their messengers. Even
Tanzania and Zambia made do with ‘delegations’, in the latter case led by that
country’s defence minister. Meanwhile, the onward march of Boko Haram continues
with reports of the army fleeing in their wake. Perhaps one can’t blame the
soldiers. Who would lay down his life for a fiction which is busy gorging
itself in a pretend capital built on the proceeds of other people’s wealth, the
raison d’ĂȘtre of Jonathan’s presidency given that there isn’t anything else to
recommend him – as he perhaps well knows.
©
Adewale Maja-Pearce
Adewale
Maja-Pearce is the author of several books, including Loyalties
and Other Stories, In My Father's Country, How many miles to Babylon?, A
Mask Dancing, Who's Afraid of Wole Soyinka?, From Khaki to Agbada,
Remembering Ken Saro-Wiwa and Other Essays, A Peculiar Tragedy, and
Counting the Cost, as well as the 1998 and 1999 annual reports on human
rights violations in Nigeria. He also edited The Heinemann Book of African
Poetry in English, Wole Soyinka: An Appraisal, Christopher Okigbo:
Collected Poems, The New Gong Book of New Nigerian Short Stories,
and Other Stories, In My Father's Country, How many miles to Babylon?, A
Mask Dancing, Who's Afraid of Wole Soyinka?, From Khaki to Agbada,
Remembering Ken Saro-Wiwa and Other Essays, A Peculiar Tragedy, and
Counting the Cost, as well as the 1998 and 1999 annual reports on human
rights violations in Nigeria. He also edited The Heinemann Book of African
Poetry in English, Wole Soyinka: An Appraisal, Christopher Okigbo:
Collected Poems, The New Gong Book of New Nigerian Short Stories,
and
Dream Chasers.
Click here to see Maja-Pearce's amazon.com page: http://www.amazon.com/Adewale-Maja-Pearce/e/B001HPKIOU
Click here to see Maja-Pearce's amazon.com page: http://www.amazon.com/Adewale-Maja-Pearce/e/B001HPKIOU